I observe in my work a continued inter-dependency between the captured image and the human need to preserve; a commentary on the exchange of energies, and an inquiry into the synergy between photography and people. It is this synergy between the act of creating vernacular photography, the photograph in its many forms and the interaction in all stages of the photograph's existence that I explore.
As the "photograph" continues it's life in the form of a digital "object," it's footprint becomes more imperceptible. Each print undistinguished from the last, a parade of molded figures marching to the fast pace of society's attention span. An extinction of physical interaction, a by gone era of visible evidence.
What forms do our digital experiences take, are they evident to our "see and believe" eyes or do they transcend a material form and instead live as illusive codes.
As the "photograph" continues it's life in the form of a digital "object," it's footprint becomes more imperceptible. Each print undistinguished from the last, a parade of molded figures marching to the fast pace of society's attention span. An extinction of physical interaction, a by gone era of visible evidence.
What forms do our digital experiences take, are they evident to our "see and believe" eyes or do they transcend a material form and instead live as illusive codes.